Lawrence Ferlinghetti
Lawrence Ferlinghetti was born in Yonkers, New York, in 1919. After spending his early childhood in France, he received his B.A. from the University of North Carolina, an M.A. from Columbia University, and a Ph.D. from the Sorbonne. During World War II he served in the US Naval Reserve and was sent to Nagasaki shortly after it was bombed. He married in 1951 and has one daughter and one son.
In 1953, Ferlinghetti and Peter Martin began to publish City Lights magazine. They also opened the City Lights Books Shop in San Francisco to help support the magazine. In 1955, they launched City Light Publishing, a book-publishing venture. City Lights became known as the heart of the "Beat" movement, which included writers such as Kenneth Rexroth, Gary Snyder, Allen Ginsberg, and Jack Kerouac.
Ferlinghetti is the author of more than thirty books of poetry, including Americus, Book I (New Directions, 2004), San Francisco Poems (2002), How to Paint Sunlight (2001), A Far Rockaway of the Heart (1997), These Are My Rivers: New & Selected Poems, 1955-1993 (1993), Over All the Obscene Boundaries: European Poems & Transitions (1984), Who Are We Now? (1976), The Secret Meaning of Things (1969), and A Coney Island of the Mind (1958). He has translated the work of a number of poets including Nicanor Parra, Jacques Prevert, and Pier Paolo Pasolini. Ferlinghetti is also the author more than eight plays and of the novels Love in the Days of Rage (1988) and Her (1966).
In 1994, San Francisco renamed a street in his honor. He was also named the first Poet Laureate of San Francisco in 1998. In 2000, he received the lifetime achievement award from the National Book Critics Circle. Currently, Ferlinghetti writes a weekly column for the San Francisco Chronicle. He also continues to operate the City Lights bookstore, and he travels frequently to participate in literary conferences and poetry readings.
A Selected Bibliography
Poetry
A Coney Island of the Mind (1958)
Back Roads to Far Places (1971)
Her (1960)
Open Eye, Open Heart (1973)
Pictures of the Gone World (1955)
Routines (1964)
Starting from San Francisco (1961)
The Mexican Night (1970)
The Secret Meaning of Things (1969)
Tyrannus Nix? (1969)
Unfair Arguments with Existence (1963)
Constantly Risking Absurdity
Constantly risking absurdity
and death
whenever he performs
above the heads
of his audience
the poet like an acrobat
climbs on rime
to a high wire of his own making
and balancing on eyebeams
above a sea of faces
paces his way
to the other side of the day
performing entrachats
and sleight-of-foot tricks
and other high theatrics
and all without mistaking
any thing
for what it may not be
For he's the super realist
who must perforce perceive
taut truth
before the taking of each stance or step
in his supposed advance
toward that still higher perch
where Beauty stands and waits
with gravity
to start her death-defying leap
And he
a little charleychaplin man
who may or may not catch
her fair eternal form
spreadeagled in the empty air
of existence
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